The Mustang is described as a '67 Mustang in Scene 2 but as a '68 Mustang in Scene 12.
- The '67 MUSTANG idles under a dead streetlight, wipers going.
- The '68 MUSTANG is gone.
Stripboard reads a screenplay and returns the paperwork a first AD would otherwise build by hand: a shooting-order board, a continuity report, and a breakdown where nothing is listed unless a verbatim quote backs it.
Grouped by location and lighting setup, not script order. Strip colour follows the physical board: white INT/DAY, yellow EXT/DAY, blue INT/NIGHT, green EXT/NIGHT.
Found by reading the whole script at once, then a second pass that only looks for things used before the beat that introduces them. Each conflict has to be provable from two quotes or it is not reported.
The Mustang is described as a '67 Mustang in Scene 2 but as a '68 Mustang in Scene 12.
Scene 7 slugline specifies DAY, but the action text states it is past midnight.
The brass key is shown in Rena's possession in Scene 3 before Delacroix gives it to her for the first time in Scene 11.
Rena is wearing a leather jacket in Scene 5 but is wearing a denim jacket in Scene 6 despite Scene 6 being continuous.
The citation column is the product. An element with no quote behind it never reaches this table.
| SC | PAGE | CATEGORY | ELEMENT | CITED FROM |
|---|---|---|---|---|
| 1 | 1.1 | CAST | RENA MARCH | RENA MARCH, 30s, sits alone in the corner booth |
| 1 | 1.1 | CAST | DELACROIX | DELACROIX, 60s, heavy coat, sits down opposite her uninvited. |
| 1 | 1.1 | WARDROBE | LEATHER JACKET | LEATHER JACKET. |
| 1 | 1.1 | WARDROBE | HEAVY COAT | heavy coat |
| 1 | 1.1 | PROP | COFFEE CUP | chipped COFFEE CUP |
| 1 | 1.1 | SET_DRESSING | CORNER BOOTH | corner booth |
| 1 | 1.1 | SET_DRESSING | BELL | The BELL over the door goes. |
| 1 | 1.1 | SFX | RAIN | Rain hammers the window. |
| 2 | 1.5 | VEHICLE | '67 MUSTANG | The '67 MUSTANG idles under a dead streetlight, wipers going. |
| 2 | 1.5 | SET_DRESSING | DEAD STREETLIGHT | under a dead streetlight |
| 2 | 1.5 | CAST | RENA | Rena crosses the wet asphalt. |
| 2 | 1.5 | CAST | DELACROIX | Delacroix watches from the doorway, not following. |
| 3 | 1.6 | CAST | RENA | Rena drives one-handed. |
| 3 | 1.6 | VEHICLE | MUSTANG | INT. MUSTANG (MOVING) - NIGHT |
| 3 | 1.6 | PROP | BRASS KEY | a BRASS KEY |
| 3 | 1.6 | PROP | GREEN STRING | a loop of green string. |
| 4 | 1.8 | VEHICLE | MUSTANG | The Mustang, small against the dark, heading north. |
| 5 | 1.8 | CAST | RENA | Still in the LEATHER JACKET, Rena unlocks |
| 5 | 1.8 | WARDROBE | LEATHER JACKET | Still in the LEATHER JACKET, Rena unlocks |
| 5 | 1.8 | SET_DRESSING | BARE BULB | Bare bulb. |
| 5 | 1.8 | PROP | FOOTLOCKER | FOOTLOCKER at the end of the bed |
| 5 | 1.8 | SET_DRESSING | BED | at the end of the bed |
| 5 | 1.8 | PROP | BRASS KEY | with the BRASS KEY. |
| 5 | 1.8 | PROP | BANDED CASH | Inside: banded cash, |
| 5 | 1.8 | PROP | PASSPORT | a passport, and a REVOLVER |
| 5 | 1.8 | PROP | REVOLVER | and a REVOLVER she does not |
| 6 | 2.0 | CAST | RENA | Rena sits on the bed's edge |
| 6 | 2.0 | WARDROBE | DENIM JACKET | in the DENIM JACKET |
| 6 | 2.0 | PROP | PASSPORT | passport open. |
| 6 | 2.0 | SET_DRESSING | BED | Rena sits on the bed's edge |
| 7 | 2.1 | CAST | RENA | Rena walks the corridor |
| 7 | 2.1 | PROP | PASSPORT | passport in her coat. |
| 7 | 2.1 | WARDROBE | COAT | passport in her coat. |
| 7 | 2.1 | BACKGROUND | CLEANER | A CLEANER, 50s, pushes a trolley past her without looking up. |
| 7 | 2.1 | PROP | TROLLEY | pushes a trolley past her without looking up. |
| 8 | 2.2 | CAST | RENA | Rena stops. |
| 9 | 2.3 | CAST | VOSS | Behind the counter, VOSS, 40s, examines the BRASS |
| 9 | 2.3 | CAST | RENA | RENA |
| 9 | 2.3 | PROP | BRASS KEY | Voss sets the key down between them. |
| 9 | 2.3 | PROP | LOUPE | KEY under a loupe. |
| 9 | 2.3 | SET_DRESSING | COUNTER | Behind the counter, VOSS, 40s, examines the BRASS |
| 10 | 2.6 | CAST | RENA | Rena walks out fast. |
| 10 | 2.6 | CAST | VOSS | Behind her, through the glass, Voss picks |
| 10 | 2.6 | PROP | PHONE | up a phone. |
| 11 | 2.7 | CAST | DELACROIX | Delacroix is waiting. |
| 11 | 2.7 | CAST | RENA | presses the BRASS KEY into Rena's |
| 11 | 2.7 | PROP | BRASS KEY | presses the BRASS KEY into Rena's |
| 12 | 2.9 | CAST | DELACROIX | Delacroix stands in the empty space |
| 12 | 2.9 | SET_DRESSING | OIL | Only oil on the asphalt where it |
| 12 | 2.9 | SFX | RAIN | and the rain thinning it out. |
| 13 | 3.1 | CAST | RENA | Rena in the same corner booth |
| 13 | 3.1 | SET_DRESSING | CORNER BOOTH | corner booth |
| 13 | 3.1 | WARDROBE | FADED DENIM JACKET | faded DENIM JACKET |
| 13 | 3.1 | PROP | COFFEE CUP | COFFEE CUP is in front of her |
Paste a screenplay. Scene headings in standard form (INT./EXT. LOCATION - DAY). A short scene takes a few seconds; a feature takes about a minute.
Nothing is stored between runs.